Download PDFRevised 9 March 2022
Accepted 14 October 2022
Available Online 21 November 2022
- DOI
- https://doi.org/10.55060/s.atssh.221107.008
- Keywords
- Yan Jidao
“Xiaoshan Ci”
Plant image category
Pessimistic aesthetics - Abstract
“Er Yan” in the Song Dynasty was an important figure in the lyrics of the early Song Dynasty. Younger Yan's lyrics not only inherited the essence of his father's thoughts, but also had his own unique opinions. In Yan Jidao's “Xiaoshan Ci”, a large number of plant image categories were used, and the technique of borrowing things to express the author's sadness of recalling the past and regretting to leave. Although “Xiaoshan Ci” is sincere and elegant, readers can still experience a faint sadness from it. In the eyes of predecessors, Xiaoshan is good at romance, and his lyrics and works are all “Yan Ci”, but from the perspective of modern cultural environment and appreciation, “Xiaoshan Ci” is not a feast of writing and art feasts and sad works. The plants used in the words do not carry a superficial meaning, but are endowed with the author's personal feelings. This article explores the origin and historical evolution of the category of “plant image”, and its pessimistic aesthetic connotation and impact.
- Copyright
- © 2022 The Authors. Published by Athena International Publishing B.V.
- Open Access
- This is an open access article distributed under the CC BY-NC 4.0 license (https://creativecommons.org/licenses/by-nc/4.0/).
Cite This Article
TY - CONF AU - Qinyuan Tian PY - 2022 DA - 2022/11/21 TI - Research on the “Plant Image” Category in Yan Jidao's Pessimistic Aesthetics BT - Proceedings of the 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022) PB - Athena Publishing SP - 41 EP - 47 SN - 2949-8937 UR - https://doi.org/10.55060/s.atssh.221107.008 DO - https://doi.org/10.55060/s.atssh.221107.008 ID - Tian2022 ER -
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