The Artistic Image of Guanyin Porcelain Statue in the 17th Century
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Corresponding Author
Chunji Xie
Article History
Received 14 April 2022Revised 23 April 2022
Accepted 24 October 2022
Available Online 21 November 2022
- DOI
- https://doi.org/10.55060/s.atssh.221107.032
- Keywords
- Guanyin statue
Porcelain statue
Artistic image - Abstract
Statues are an important medium for the dissemination of Buddhism. As a Buddhist deity introduced to China during the Han Dynasty, Guanyin became the goddess of the Chinese people after a process of feminization and secularization. Talented people used a variety of art forms to create one after another classic Guanyin images, and the statues of Guanyin in the Ming and Qing Dynasties were even more prominent. In the 17th century, various cultures such as Confucianism, Buddhism, Taoism and Christianity collided with each other. The statue of Guanyin showed an artistic image with unique characteristics of the times. It represented not only the inheritance of Buddhist culture, but also the epitome of the times.
- Copyright
- © 2022 The Authors. Published by Athena International Publishing B.V.
- Open Access
- This is an open access article distributed under the CC BY-NC 4.0 license (https://creativecommons.org/licenses/by-nc/4.0/).
Cite This Article
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TY - CONF AU - Min Li AU - Chunji Xie PY - 2022 DA - 2022/11/21 TI - The Artistic Image of Guanyin Porcelain Statue in the 17th Century BT - Proceedings of the 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022) PB - Athena Publishing SP - 199 EP - 208 SN - 2949-8937 UR - https://doi.org/10.55060/s.atssh.221107.032 DO - https://doi.org/10.55060/s.atssh.221107.032 ID - Li2022 ER -
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