Revised 16 March 2022
Accepted 14 October 2022
Available Online 21 November 2022
- DOI
- https://doi.org/10.55060/s.atssh.221107.039
- Keywords
- Graphic design
Perception
Concept expression
Visual form - Abstract
Starting from the author's own creative process and feelings of works of art, this article summarizes the in-depth thinking on the development and application of poster graphic design and major of art design. The content of this article reflects the cross-penetration of culture, artistry and professional disciplines in structure as well as the multi-level, multi-perspective and diversified aesthetic thinking and creative orientation, striving to provide more meaningful materials for the sorting and accumulation of art design practice and the in-depth thinking of graphic design research and adding rich display space for the creation and research ideas of poster art design. This article is the theoretical summary and reflection on the author's graphic design practice, graphic creativity and expression processes. Through the exploration of graphic design research and graphic creative ideas, it conducts a continuous discussion on the specific thinking logic in art design creation and related theories of graphic design research.
- Copyright
- © 2022 The Authors. Published by Athena International Publishing B.V.
- Open Access
- This is an open access article distributed under the CC BY-NC 4.0 license (https://creativecommons.org/licenses/by-nc/4.0/).
Cite This Article
TY - CONF AU - Zhijun Wang PY - 2022 DA - 2022/11/21 TI - Graphic Design Expression and Intent Presentation Based on Daily Insights BT - Proceedings of the 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022) PB - Athena Publishing SP - 251 EP - 254 SN - 2949-8937 UR - https://doi.org/10.55060/s.atssh.221107.039 DO - https://doi.org/10.55060/s.atssh.221107.039 ID - Wang2022 ER -